摘要
2018年6月19日,孟繁华的"水墨大写意牦牛个人画展"在西藏自治区群艺馆举办,孟繁华历经两年多时间完成的40多件作品在此次展览中展出。画中的牦牛很多都不用背景,大片的留白,一头牦牛昂立于天地之间,凝视远方,鬃毛飞扬,仿佛将要破空而来,飞掠而至,观者凝目视之,仿佛走入了画中,感受到那种苍茫又紧张的气氛。又或几笔淡墨勾画成随风飘动的枯草,地陂以净墨写成,在渲染外,施加较浓的墨点,凸显土地嶙峋不平的质感。
In June 2018,Meng Fanhua’s "Freehand Brushwork of Ink Painting Wild Yak Exhibition" was held at the Art Center of the Tibet Autonomous Region.Meng Fanhua’s more than 40 works,which took more than two years to complete,were displayed in the exhibition.
出处
《西藏人文地理》
2018年第4期124-131,6,共8页
Tibet Geographic