“音乐诗学”中的语言乌托邦——试论诺瓦利斯“音乐诗学”中的语言批判与诗学内涵

Language Utopia in “Music Poetics”:Criticism of Language and Connotation of Poetics in “The Poetics of Music” of Novalis

受到早期浪漫主义时期文艺批评思潮的影响,诺瓦利斯将自己的诗学观建立在文学与其他艺术类型的对比之上。音乐作为一种独特的艺术形式被诺瓦利斯抽象为"音乐性"之概念,从而构成了一种独特的诗学观。本文以诺瓦利斯创作中涉及音乐的文本为出点,整理诗人以音乐为模板对诗歌语言进行的批判,指出其在创作指导层面的不可实现性,并继续深入讨论了内心、世界、音乐与诗的关系,提炼出其中蕴含的完整的音乐诗学观。

Under the influence of literary criticism of Early Romanticism,Novalis＇ poetics is rooted in the contrasts between literature and other art genres. The establishment of this distinctive poetics contributes to Novalis＇ efforts which upgrade the music as an art type to an abstract concept＂musicality＂. Based on the texts of Novalis＇ literary fragments which refer to the music,this thesis unscrambles his criticism of the poetic language,which takes music as a template and a reference; and points out the impossibility of applying the outcomes of this criticism to the actual writing. Meanwhile,this thesis furthers its discussion about the relationship of inner world,world,music and poetry,from which this thesis extracts an entire view of the musical poetics of Novalis.