抗战期间延安戏剧与普遍性集体创作

Yan’an Theatre and Collaborative Productions during the War Against the Japanese Invasion

抗战期间,全国大环境提倡并流行集体创作抗战戏剧。延安的戏剧创作在"政治标准第一、文艺标准第二"这一总原则的影响下,党团组织和行政领导加入到内行集体创作的流程当中,并将主题先行,继而设定人物和故事这一背离戏剧创作客观规律的战时策略性方法延续、固定下来。为了实现与工农兵结合的群众路线,群众也参与到戏剧的二度创作和故事、人物形象的反复修改中,形成全民参与的更彻底的集体创作,从上到下一起将集体创作推向了极端,不自觉地挤压了戏剧创作艺术个性表达的空间。

It was a trend for Chinese dramatists to collaborate during the War Against the Japanese Invasion. In Yan＇ an, under the influence of the principle of priority of politics over literariness, administrators of the Party and the League were involved in collaborative teams. The method of basing characters and plots on pre - established themes was adopted as a long - term strategy during the war, though it was not accordant with the principle of theatrical production. To follow the ＂mass line＂ that consolidates the union with workers, farmers, and soldiers, the general public were involved in the re - creation of plots and characters, carrying collaborative playwriting to an extreme and unconsciously obliterating the individualistic expression of artistic creativity.