摘要
在分析了中央苏区艺术宣传的信息环境、受传对象、信息干扰等传播语境的基础上,归纳出中央苏区艺术宣传的主要传播形式,指出墙报与文艺汇演、俱乐部与戏剧运动、革命山歌等传播形式类型特性。进一步分析了苏区艺术宣传集体化、仪式化、大众化等传播特征,并指出其争取到群众对红军的认同与支持、促使土地革命主体的觉醒、推动革命思想启蒙的进程等一系列积极影响,以及其存在的历史局限性。
The main forms of communication in the art propaganda of the Central Soviet Area are summed up on the basis of the analysis of the communication contexts including the information environment,receiver object and information interference in the art propaganda of the Central Soviet Area. It is pointed out that the communication forms are including the wall newspaper,artistic performance,the club,drama movement and the revolutionary folk song. It further analyzes the characteristics of the collectivization,ritual and popularization of art propaganda in the Central Soviet Area and points out a series of positive influences,such as the masses' identification and support to the Red Army,the awakening of the subject to the land revolution,promoting the enlightenment process of the revolutionary thought,and its historical limitations.
作者
王若伊
刘云舟
WANG Ruo-yi;LIU Yun-zhou(School of communication, Fufian Normal University, Fuzhou, Fujian 350007, China)
出处
《福建农林大学学报(哲学社会科学版)》
2018年第3期106-112,共7页
Journal of Fujian Agriculture and Forestry University(Philosophy and Social Sciences)
关键词
中央苏区
艺术
传播形式
革命主体
Central Soviet Area
art
communication tonn
revolutionary subject