论“意境说”中情与景的关系

On the Relationship of Emotion and Scenery in “Artistic Conception Theory”

"意境说"是中国古典美学中一个非常重要的美学范畴,对中国古典诗歌美学产生了重要的影响。"意境说"中情与景的关系历来被许多文论家、学者所称道,一些学者从西方二元对立的认识论角度出发,认为"意境说"重情,情和景是一种主从的关系,且景只是情的附属,诗歌中景的出现只是为抒情服务罢了。笔者认为情和景的关系是相辅相成的,而非一种主从的关系,离开任何一方也不能构成意境。所以,澄明"意境说"中情与景的关系就显得尤为重要。

The＂artistic conception theory＂is a very important aesthetic category in Chinese classical aesthetics and has an important influence on Chinese classical poetry aesthetics.The relationship of emotion and scenery in the ＂artistic conception theory＂has always been praised by many literary theorists and scholars.Some scholars,from the perspective of western dualistic epistemology,think that the＂artistic conception theory＂emphasizes emotion.Emotion and scenery has a superior subordinate relationship,and scenery is only attached to emotion.The appearance of the scenery in poetry is only for the service of lyricism.While the author thinks that the relationship of emotion and scenery is complementary,but not superior subordinate.None of the two only can constitute artistic conception,so it is particularly important to clarify the relationship of emotion and scenery in the＂artistic conception theory＂.