传统藏式家具审美特征及成因研究

A Study of the Aesthetic Features of Traditional Tibetan Furniture and Its Roots

传统藏式家具自成体系,独具雪域风格,其审美特征可以归纳为"建筑化"的外部造型、"密码化"的色彩运用和"多元化"的装饰纹样。藏族房屋的建筑形式对传统藏式家具的造型具有启发性,使其外观造型具有"建筑化"特征,传统藏式家具甚至可以视为藏族建筑的缩微版;色彩如同是青藏高原上特有的"密码",也是传统藏式家具给人的第一印象,这种独特的艺术语言便成为传统藏式家具重要审美特征之一;而透过传统藏式家具"多样化"的装饰纹样,我们可以参悟家具制作者不朽的匠人精神,同时也可以窥见藏族人民对于美好生活的向往。审美特征的形成是一个相当漫长的过程,并涉及到自然环境、宗教信仰、文化习俗等方面,通过对传统藏式家具造型、色彩和纹样的分析,可以探究其审美特征的形成原因,即就近取材,适合藏人生活方式;宗教寓意,劝诫藏人从善弃恶;文化交融,寄托藏人美好愿望。

The term ＂Tibetan furniture＂ refers to the furniture that was created in the Tibetan are- a, made by Tibetan artisans, and conforms to the living needs and aesthetic traditions of the Tibetan people. Traditional Tibetan furniture has a system of its own. It is mainly made from wood, places great emphasis on decoration and has a unique Ti- betan style. Generally, the aesthetic features of traditional Tibetan furniture can be summarized as follows： 1. The external styling of traditional Tibetan furniture is like a kind of ＂architecture＂ in its own right. Inspired by the architectural styling of Tibet- an homes, traditional Tibetan furniture can even be considered a miniature version of Tibetan architec- ture.