当代戏曲文学的“文学性”的回归——以莫言《锦衣》为例

Return of ‘Literariness' in Contemporary Opera Literature:——Taking Mo Yan's Silk Clothing as an Example

当代戏曲的"文学性"在某种意义上体现为一种审美品格,这也是中国戏曲文学本身的肌理,正是在这个基础上,戏曲文学才能呈现出自身的情感和美感。莫言的《锦衣》在对传统戏曲文学继承与创新的基础上,从三个方面展现了当代戏曲文学的审美品格:民间想象力传统的复苏,对"才子佳人"模式的消解与重构,打破女性"失语"的状态。莫言以独特的艺术手法开拓了戏曲文学创作的能动性,从而实现了当代戏曲文学的"文学性"的回归。

In a sense,the literariness of contemporary operas is embodied in an aesthetic character,which is also the texture of Chinese traditional opera literature. On this basis,drama literature can show its own emotion and aesthetic feeling. Mo Yan＇s Silk Clothing,basing on the inheritance and innovation of the traditional opera culture,shows from the three aspects of the aesthetic character of contemporary drama literature; the recovery of traditional folk Imagination,the deconstruction and reconstruction of ‘gifted scholars and beautiful ladies＇ mode and breaking the state of women＂aphasia＂. Mo Yan has opened up the activeness of the literary creation of the opera with its unique artistic technique,thus realizing the return of the ‘Literariness＇ in the contemporary opera literature.