摘要
本文立足于20世纪80年代以后在徽州地区的新建筑探索,试图从历史关联、山水风土、场所环境、建筑类型、建构体系、抽象创作机制等诸多倾向探讨应对地区变化中徽州当代建筑营造的多种立场,以"起""承""转""合"四个创作趋势与发展节点,阐释地域创作本体和再现意义上的抵抗性与融合性,试图发现徽州地区地域性变迁背后的建筑创作动机与设计策略,探索面向未来的徽州地区地域创作潜能。
Based on the architectural design exploration in Huizhou area after 1980s, from the multiple respects of the historical relationships, natural representations, environments, architectural types, material tectonics and abstractive creation strategies, as well as the four steps of ＂beginning＂, ＂connection＂, ＂transition＂ and ＂fusion＂, this essay tried to interpret the resistance and fusion both in ontology and representation of the regional creation, and to establish the design framework reacting to the regional transformation.
出处
《城市建筑》
2018年第7期116-121,共6页
Urbanism and Architecture
基金
国家重点研发计划资助(编号:2016YFC0700203)
国家自然科学基金项目资助(编号:51238011)
关键词
徽州地区
地域性
抵抗
建筑创作体系
类型
乡土建构体系
Huizhou area
regionality
resistance
architectural creation system
type
vernacular tectonic system
