观石入境 筑玉成界——新疆和田玉石博物馆建筑方案设计

FEEL BY OBSERVING STONE AND CONCEPTION BY BUILDING JADE: DESIGN OF HETIAN JADE MUSEUM ARCHITECTURE IN XINJIANG

建筑是一门思想与时空结合的艺术。伟大的建筑和城市无不"道先术用"。"道"的高下决定了建筑的境界。建筑师应该跳出建筑学的专业领域,从人类思想的长河中去寻找建筑的灵魂。佛教作为中国传统文化的组成部分博大精深,它的世界观也十分奥妙。本文以新疆和田玉石博物馆建筑方案设计为例,探讨了基于佛教"圆融无碍"世界观的建筑设计思想,并提出以主题和尺度观想为思考线索的设计方法,以期构建圆融于多重世界的建筑。

Architecture is an art combining thoughts with time and space. Great architectures and cities are all theories before uses. The maturity of theories determines the levels of architectures. The architects need go beyond the professional fields of architecture, and seek its souls from the human thoughts lasting for a long time. As a part of traditional Chinese culture, Buddhism is broad and profound, with a quite subtle worldview. Taking the design of Hetian Jade Museum architecture in Xinjiang as an example, this paper explores the design ideas of architectures based on the Buddhist＇s worldview of round without obstacles, and proposes design methods with themes and scaled concentrated thinking as thinking clues, in order to construct the architectures which could merge into the world with multiple levels.