摘要
时间和空间是建筑和电影的共同主题。比利时导演香特尔·阿克曼在20世纪70年代完成的三部实验电影《房间》《蒙特利旅馆》《来自故乡的消息》分别将描绘对象设定为房间、建筑和城市,是从影像的角度探索城市空间认知和表达的理想范本。本文以观影记的形式记录了对这三部电影的分析与解读,聚焦于影像的观念、运动,探究并揭示电影分析和建筑研究中共存的时空构成。
Time and space are the common themes in Architecture and Films. In 1970s the Belgian film director Chantal Akerman finished her three experimental films, La Chambre, Hotel Monterey and News from Home. The subjects were set up in room, building and city, which has become an ideal model from video angle to perceive and express the urban space. The article analyze the three films within a movie review form, focus on the concepts and movements of images in order to probe and reveal the concomitant constitution of time and space in film analysis and Architecture research.
出处
《城市建筑》
2018年第13期120-123,共4页
Urbanism and Architecture
