论香港邵氏影片《冲霄楼》对小说《三侠五义》的影像改编

The Film—House of Traps,an Interpretive Adaption of the Novel San Xia Wu Yi

由邵氏兄弟(香港)有限公司投资、张彻导演的影片《冲霄楼》在情节改编方面强化了原著《三侠五义》的叙事悬念和诙谐意趣,这既反映了原著本身对于影像改编所具有的先在性影响,亦和文学转化为电影这一艺术形式的转变不无关系;同时,影片又借助对白玉堂的形象塑造及其独闯冲霄楼、殒命铜网阵这一原著人物命运结局的影像呈现,不仅凸显出张彻武侠电影以男性英雄的深厚情谊为核心的"阳刚电影美学"特征,而且也潜在地折射出其本人的创作主体意识对于文学改编中的主题诠释、人物重塑、风格嬗变等诸多方面所具有的主导性作用。

House of Traps,the movie produced by Shaw Brothers（Hong Kong） Limited and directed by Zhang Che,strengthend suspense and humor in the novel San Xia Wu Yi,which not only reflected the original work＇s influence on adaption,but also was related with the transformation from literature to film. On the other hand, through characterization the images of Bai Yutang and his going to Chong Xiao Lou and died in＂bone net＂,which not only highlighted＂masculine aesthetics of movie＂which Zhang Che always insisted to present in his swordsman movies,its core was male friendship,but also reflected that his creative consciousness played the leading role on explanation of subject,characterization and change of style of the original work in the adaption.