摘要
少数民族音乐声像数据涉及到了乐谱、乐论和声部等多种音乐史料素材。它是我国优秀传统文化的重要组成部分。改革开放以来,民间音乐集成编辑运动的开展,已经让学者在对包括少数民族音乐在内的民间音乐进行收集整理的过程中抢救了大批珍贵的音乐声像数据。从历史的角度来看,少数民族音乐乐谱、乐类和声部形式、少数民族的音乐的人文内涵、存在模式和其在现阶段所表现出来的史学勘察价值已经成为了历史价值的主要表现。从少数民族音乐乐谱、乐类和声部形式等因素入手,对我国少数民族音乐声像的历史价值进行了探究。
Audio-visual data of minority nationalities' music is related to music notation, music theory and voice department as well as other music historical materials. It is an important part of China's outstanding traditional culture. Since the reform and opening up, integrated editing campaign of folk music including ethic music has got scholars save a lot of precious music audio-visual data during the process of collecting and organizing. From the historical perspective, the ethnic music's notation, variety and forms of voice department as well as its cultural connotation, mode of existence and its exploration value shown at present have become the main manifestation of historical value. This paper probes into the historical value of the sound and images of the minority nationalities' music in our country, mainly from studying the following factors: the music notation, music variety and the form of voice department of the ethnic music.
作者
余文博
YU Wen-bo(Music Academy, Hefei Teachers’ College, Hefei230000, China)
出处
《河北工程大学学报(社会科学版)》
2018年第2期49-51,共3页
Journal of Hebei University of Engineering(Social Science Edition)
基金
2017年度安徽高校人文社会科学研究项目:互联网+非遗文南词数字化保护研究(编号:SK2017A0996)
关键词
少数民族音乐声像
人文内涵
存在模式
史学勘察价值
audio-visual data of minority music
humanistic connotation
mode of existence
historical exploration value