翁方纲核心诗学概念关系辨析及价值定位

The Relationship and Value Orientation of Weng Fanggang's Core Concepts

翁方纲尚未及用一个术语概括其全部诗学,三个核心概念"肌理""正面实作""事境",实乃相互依托但无法替代的关系。"事境",须从"正面"入手,以"肌理"承接之法出之。这个思路拯救了"神韵"说重视"远"和侧面烘托导致的"虚"。翁方纲追溯"格调"和"性灵"二说主要弊端的源头,通过批评明七子和南宋杨万里来进行诗坛纠谬。他的主张,并没有超出传统诗学,实是传统诗学的完美调和者。

There are three core concepts in Weng Fanggang＇s poetics. ＂Circumstance＂depended on ＂Jili＂and ＂the real and positive expression＂. None of them could include the others. Weng＇s poetics corrected the empty and shallow style by the pattern theory. Meanwhile,Weng criticized the verve theory and the inspiration theory by pointing out the defects of Li Mengyang in Ming Dynasty and Yang Wanli in Song Dynasty. Weng made useful adjustments to the traditional poetics.