符号性与象征性——论《恒河女子》中的画与声

Signs and Symbols —— on the Images and Sounds in Woman of the Ganges

电影不仅是法国"左岸派"重要导演杜拉斯文学创作的延伸,更是其对另一种叙事形式的探索。杜拉斯"印度系列"作品中的《恒河女子》借助影像的符号性与声音的象征性,打破了文学再现现实的局限性,将小说风貌与戏剧情景、电影画面、音乐色彩融于一炉。通过构建历史与记忆中的萨塔拉,杜拉斯讲述了时代加于一个具体实在的人身上的种种矛盾和困扰、爱与恨、痛苦与欢乐,以及个体的内在经验与特定的社会、历史、文化背景之间的对抗与融合。

The film is not only an extension of Duras＇ s literary creation,but also an exploration of another form of narrative. The Woman of the Ganges is one of the important works of Duras＇ s ＂India series＂films. Through the construction of history and memory space,Duras narrated contradictions and troubles,love and hate,pain and joy,as well as confrontation and fusion between the inner experience of the individual and the specific social,historical and cultural background.