苏轼黄州、岭海时期词的审美化嬗变

Aesthetic Transmutation of Su Shi's Poems Written in Huangzhou and Lingnan

苏轼黄州、岭海时期的词作较明显地体现了词人对生活的审美观照以及此种审美特征的演变轨迹。黄州时期词作的特征由最初的无从超脱现实纷扰,到能够体味生命本体、以理性思考超越现实,再到对生活予以审美审视,最后甚至近乎宇宙情怀,其审美境界逐层提高。岭海时期词作相比于黄州时期,其审美特征渐臻成熟,最终真正实现了天地境界、宇宙情怀。这种审美特征不仅表现在对一般生活情景的描写上,也表现在对爱妾朝云形象的描绘上。

Su Shi＇s poems written in Huangzhou and Lingnan obviously present a kind of aesthetic sight towards life and the track of evolvement of this aesthetic trait. Poems written in Huangzhou show a type of characteristics that the poet was not able to get rid of those troubles and sorrow of the reality at first,but he could appreciate the noumenon of life and transcend reality by means of rationalistic thoughts little by little,then he viewed life through aesthetic sight,and at last he even had a kind of feelings that could link up himself with the universe. His aesthetic taste developed layer by layer. Compared with the works in Huangzhou,the aesthetic characteristics of Su Shi＇s poems written in Lingnan gradually became mature and authentically achieved a kind of consummate spiritual state that connects humans with the universe. This aesthetic trait is shown not only in the descriptions towards daily life,but also in the works depicting his concubine Zhao Yun.