约翰·科里利亚诺室内乐创作早期二度音程结构力现象抉微——以《小提琴与钢琴奏鸣曲》和《露台音乐》为例

The Structural Power of Second Diatonic Interval in the Chamber Music by John Corigliano as Exemplified by Sonata For Violin and Piano and Gazebo Dances

美国作曲家约翰·科里利亚诺以其独具个性的创作观念与技法在国际乐坛享有盛誉。在其创作早期的两部室内乐代表性作品《小提琴与钢琴奏鸣曲》和《露台舞曲》中,二度音程的结构中心与间接主导等技术现象对纷繁复杂的音乐形态产生融汇作用,形成音高思维的聚合特征、调式调性的编织特征和主题性写作中的音程结构特征,进而为科里利亚诺综合化的整体创作风貌奠定基础。

John Corigliano, an American composer, enjoys a high reputation in the world for his unique compositional ideas and techniques. The paper analyzes Corigliano＇s two representative chamber works through the structural center and indirect leading and other technical levels of the second interval. It aims to explain how theory and technology in Corigliano＇s works mutual polymerize and integrate into a new structure pattern, thus provides a strong support for the features of the second structural force in the integration style of Corigliano＇s chamber music.