数字美学的意识形态维度——论新时代人民美学

Ideological Dimensions of Digital Aesthetics: On the People's Aesthetics in the New Age

百年人民美学思想开始于"五四文学革命"、开展于中国人民的劳动建设中,每个时代的人民美学观念都代表了那个时代的人民所肩负着的社会文化实践任务,这就是人民美学的时代形态。人民美学在当今的时代形态就是习近平新时代中国特色社会主义人民美学思想,它要求文艺的人民性、时代性和审美性。数字美学是人民美学在当今国内的具体形态,数字美学与人民美学的辩证关系是:新时代人民美学是当今国内数字美学的意识形态,当今国内数字美学是新时代人民美学的媒介实践。新时代人民美学在数字美学的时代形态中牢牢抓住了美学的意识形态领导权。

The 100-year-old people＇s aesthetic thought began in the revolutionary struggle of the Chinese people and was carried out in the labor construction of the Chinese people. The aesthetic concept of the people in each era represented the social and cultural practice tasks that the people of that era shouldered. This is the times form the aesthetics of the people. The aesthetic form of people＇s aesthetics in today＇s times is the socialist people＇s aesthetic ideology with Chinese characteristics in the new era of Xi Jinping. It requires the people＇s nature, the times, and the aesthetics of literature and art. Digital aesthetics is the concrete form of people＇s aesthetics in China today. The dialectical relationship between digital aesthetics and people＇s aesthetics refers to the fact that the people＇s aesthetics in the new era is the ideology of domestic digital aesthetics; the domestic digital aesthetics is the media practice of people＇s aesthetics in the new era. People＇s aesthetics in the new era has firmly grasped the ideological leadership of aesthetics in the era of digital aesthetics.