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从文本细节探析电影《寻枪》和《野良犬》的主题建构

Analysis of Theme Construction of Films The Missing Gun and Stray Dog from Their Textual Details
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摘要 电影主题的相似,成为文本阅读的互文性解读的出发点,陆川的《寻枪》与黑泽明的《野良犬》拥有相似的主题,但是故事细节的处理手法不同,使电影拥有了截然不同韵味。作为中国新生代导演的陆川处理与知名导演黑泽明类似的题材,面临了比较大的困难,但影片《寻枪》影像处理,显示出陆川作为导演的实力。 Similar themes of different films start the intertextual interpretation of text reading. Films The Missing Gun of LU Chuan and Stray Dog of Akira Kurosawa have a similar theme, but different handling techniques of story details give both films distinct flavors. As the director of new generation in China, LU Chuan faces lots of difficulties in dealing with the similar theme which Akira Kurosawa has done, but this film's image processing shows his great ability as a director.
作者 蔡永强 CAI Yong-qiang(Department of Film and Television Arts,Henan Art Vocational College,Zhengzhou 450000,China)
出处 《湖北工业职业技术学院学报》 2018年第3期47-50,58,共5页 Journal of Hubei Industrial Polytechnic
关键词 野良犬 寻枪 叙事主体 Stray Dog The Missing Gun narrative subject
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