论赖声川《暗恋桃花源》的后现代特征

Study on the Postmodern Characteristics of Stan Lai's Secret Love for the Peach Blossom Spring

20世纪末,台湾现代戏剧呈现出特色鲜明的后现代主义特征,其融入的后现代元素使戏剧文本和舞台演出都取得不俗的成就。赖声川作为"开拓台湾现代剧场的先行者",他的代表性话剧《暗恋桃花源》展现了独特的后现代特征,影响深远。它在结构上有"戏中戏"拼贴的离奇组合,在内容上有荒诞化的多元主体,在精神实质上则有安托南·阿尔托的残酷的生命意识,这三方面的突出特征在该剧中反映了赖声川对后现代主义的理解和运用。

At the end of twentieth Century,Taiwan modern drama shows the distinctive characteristics of postmodernism. The integration of postmodern elements has made great achievements in drama texts and stage performances.Stan Lai is called as pioneer of the Taiwan＇s modern theatre,and his representative dram Secret Love for The Peach Blossom Spring presents the unique characteristic of postmodernism and has a profound effect. The drama is a kind of＂play-within-a-play＂in structure,which has multiple subjects of the absurd in the content,and the cruel destiny consciousness of Antonin· Arto in essence. These three striking characteristics reflect Stan Lai＇s understanding and application of postmodernism.