摘要
20世纪中国美学发展的基调,主要表现为中国美学家们从现实的生存体验和个体感性生命的视角去思考美学问题,这种立足现实生存的美学理论在人生体验、生活改造和生命安顿这几个层面都取得了丰硕的成果,尤以现代新儒家在这方面的成就最为引人注目。现代新儒家美学源于地理疏离、情感疏离和文化疏离;作为体验之学,审美是对人生意义普遍性的发现;作为生命安顿,审美是对工具主义方法论的超越;由"感"而"信"则彰显了儒学的超越向度。现代新儒家以审美来重塑中国人的生活品格和精神世界,体现了现代中国美学精神的价值旨趣。
It is the main theme of the development of Chinese Aesthetics from the perspective of life experience and settling down in 20 thcentury. Contemporary Neo-Confucianists have achieved abundant accomplishment in this field. Their aesthetic theory originates from the diaspora of geography,emotion and culture. It turns the life experience into discovery of universal meaning,which makes itself surpass the methodology of instrumentalism. It shows the transcendence of Confucianism from the affective communion to faith. The Neo-Confucianists tried to reshape the life taste and spiritual world of Chinese by their Aesthetics,which also embodied the value of modern Chinese aesthetics spirit.
作者
刘建平
LIU Jian-ping(College of Literature,Southwest University,Chongqing 400715,China)
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第4期128-139,共12页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
教育部人文社科重点研究基地重大项目"中华美学精神与20世纪中国美学理论建构"(17JJD720010)的阶段性成果
关键词
人生体验
生命安顿
现代新儒家
疏离
感通
life experience
settling down
Contemporary Neo-Confucianism
diaspora
affective communion