“庭院”意象的性别视角与时代语境隐喻--试以宋代、清代闺情诗词作比

A Study on Courtyards in Gender Perspective and in Times Metaphor——Compared with Boudoir Poems in the Song and Qing Dynasties

"庭院"这一审美意象在宋朝、清朝两代闺情诗词中被广泛书写,展现闺阁生活,传达闺中情怀。比较程垓《摸鱼儿》与王琼瑶《次韵早秋杂兴》中的"庭院"描写,发现"庭院"意象的所指及附加色彩不仅受到作家本人经历、创作风格等的影响而产生不同,而且也受到历史文化语境的影响,在宋、清两种不同时代背景下呈现出迥异的风格,同时也受到性别视角的影响,折射出男女文人各自独特的文化心理与审美观照。

The courtyard,as an aesthetic image,has been widely written in the boudoir poems of the Song and Qing dynasties,which shows the life in the boudoir and expresses the special emotions. Compared with the courtyards described in Cheng Gai＇s Groping for Fish and Wang Qiongyao＇s Ciyun Zaoqiu Zaxing,it can be found that both the signified and adjunctive meanings of these images are really different due to the authors＇ experiences and writing styles. Moreover,the context of social history and culture has also affected image descriptions,which made the courtyards present different styles between the Song and Qing dynasties.Furthermore,gender perspectives have also played important roles in it,which reflects different cultural psychological phenomena and aesthetic views between men and women.