书场内外:女弹词艺人的“职场”互动

Inside and outside of the Story-telling house——the "workplace" interaction of female Tanci artists

近代以来,女性在社会的不断演进中,取得了就业的权利。在评弹界,随着普余社的成立,女性弹词艺人的登台演出逐渐合法化,职业女弹词也应运而生。不过,在登上书台之后,职业女弹词并未获得与之对应的平等地位,她们所处的环境依然险恶。在与同行、听客、场方的"职场"互动之中,职业女弹词往往处于弱势,饱受欺凌,甚至还要遭受舆论的偏见。面对如此艰难的"职场环境",职业女弹词不得不选择依附于男性,以求自保。职业女弹词所期冀的男女平等,并未随着女性弹词艺人职业化一同实现。

In modern China,women have gained the right to obtain employment in the continuous evolution of society. With the establishment of Puyu Association,the female Tanci artists have been gradually legalized and professional female Tanci artists came into being. However,after the performance on the stage,professional Tanci artists did not have equal status,and their environment was still dangerous. In the ＂ workplace＂ interaction with peers,guests and parties,professional female Tanci artists are often vulnerable,suffered humiliation and even public prejudice. Faced with such a difficult ＂ workplace environment＂,they have to choose to be attached to men so as to protect themselves. Their expectation of the equality of male and female did not come true with their professional.