“现代”与立场:传统戏曲的转化与建构

Modernity and Standpoint: Transformation and Construction of Traditional Opera

中国戏剧呼唤时代精神,这是新世纪以来文艺发展中面临的历史性话题。其中,传统戏曲的现代转化与建构更是当下最亟待思索的理论问题。在"创造性转化、创新性发展"理论方针的指导下,传统戏曲的转化和发展需要接续张庚先生有关"戏曲现代化"的思考。新编戏与现代戏要建立起全新的理论话语与评价体系,不能以"传统"为尺度来衡量现代戏。传统戏曲的现代转化需要以"传统"为逻辑起点,而戏曲的"现代"建构则需要完整地建立起一种现代化的戏曲形态。

Chinese theatre calls for the spirit of times,which is a historical topic facing the development of literature and art in the new century. In particular,the modern transformation and construction of traditional opera is the theoretical issue that needs anin-depth discussion. Guided by the theoretical principle of ＂creative transformation and innovative development＂,the transformation and development of traditional opera needs to continue the thought on ＂modernization of theatre＂which is proposed by Mr. Zhang Geng. Both newly edited drama and modern drama need to establish a new theoretical discourse and evaluation system.In addition,＂tradition＂cannot be used as a scale to evaluate modern theatre. Modern transformation of traditional theatre needs to begin with ＂tradition＂,and the ＂modern＂construction of theatre needs to completely establish a modernized theatrical form.