云南少数民族题材美术创作中的中国画创作研究

Study of the Creation of Chinese Paintings in the Artistic Creation Themed on Yunnan Ethnic Minorities

新时期以来,从2013年2月中国美术家协会民族美术艺委会成立,到2018年"七彩云南""天山南北——中国美术作品展""中国民族美术双年展"等展览的成功举办,围绕"少数民族题材美术创作"这一命题,中国美术家协会展开并推进民族美术发展新面貌和新特点的多项工作,"少数民族题材美术创作"也成为新时代以来美术发展的关键词。云南是拥有少数民族最多的边疆省份,但一直以来关注少数民族题材美术创作的理论研究者较少。中国画作为云南的代表绘画表现形式之一,是云南美术创作的重要体现。基于此,文章以"云南少数民族题材美术创作"中的中国画创作作为对象,以新中国成立至今的发展为时间顺序,对云南少数民族题材美术创作中的中国画创作进行历史梳理和呈现。

During the new period,from February,2013,when the Art Committee of Ethnic Fine Arts of Chinese Artists Association was established,to 2018,when a series of exhibitions were successfully held,such as Colorful Yunnan,The South and North of Mount Tianshan： Chinse Fine Art Works and Biennial Exhibition of Chinese Ethnic Fine Arts,Chinese Artists Association has promoted many works to develop new images and characteristics of ethnic fine arts,based on the proposition of ＂artistic creation themed on ethnic minorities＂. As a result,＂artistic creation themed on ethnic minorities＂has become a keyword in the development of fine arts in the new period. Yunnan is a frontier province in China with the most ethnic minorities,however,not many theoretical scholars pay attention to the artistic creation based on ethnic minorities. Chinese painting,as one the representative painting forms in Yunnan,is an important form of Yunnan artistic creation. Therefore,this paper discusses the creation of Chinese painting in the ＂artistic creation themed on Yunnan ethnic minorities＂,and analyzes the historical thread and interpretation of the creation of Chinese painting in the artistic creation themed on Yunnan ethnic minorities,in a chronological order from the founding of the People＇s Republic of China to present days.