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单点民族志与城市公共空间的重塑:《纪录片编辑室·72小时》的审视与启示

Single-sited Ethnography and the Re-construction of Urban Public Space: Investigation and Enlightenment of Documentary Editing Room 72 Hours
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摘要 由上海纪实频道于2017年末推出的周播栏目《纪录片编辑室·72小时》,甫一推出便因其独特的创作手法与情感表达引起外界关注。《纪录片编辑室·72小时》的独特之处在于,其以单点民族志手法的运用与对公共空间中普通人的记录,完成了对城市公共空间的重塑,并彰显了影像对于城市集体记忆的唤起功能。但与日本NHK的《纪实72小时》相比较,该节目在整体上缺乏一种"沉静"的美学风格。在这个愈发推崇技术为王、制作豪华的纪录片"大片化"时代里,以"沉静心态"与"匠人精神"创作的饱含生命丰富体验的纪实影像,能够给予了我们更多的视觉慰藉和心灵启迪。 Documentary Editing Room 72 Hours is a weekly program produced by Shanghai Documentary Channel in 2017. Immediately after its debut,attention from audience is drawn because of its unique creation techniques and emotional expression. The uniqueness of Documentary Editing Room 72 Hours is that it uses the techniques of single-sited ethnography and the recording of general public in public space so as to re-shape the urban public space,as well as to manifest the function that video can recall urban collective memories. Compared with Documentary 72 Hours produced by Japanese NHK,generally speaking,there is a lacking of "quiet"aesthetic style in this one. In a "blockbuster"age when techniques are privileged and documentaries are extravagantly produced,the documentary,which is created with "quiet attitude","artisan spirit"and profound life experiences,can provide us with more visual comfort and spiritual enlightenment.
作者 罗锋 王诗颖 Luo Feng;Wang Shiying(Director of the Institute of Image Communication and Research,Associate Professor at the School of Journalism and Conmmunication,Anhui Universit;post-graduate student at the School of Journalism and Conmmunication,Anhui University,Hefei,Anhui,230610)
出处 《民族艺术研究》 2018年第3期139-144,共6页 Ethnic Art Studies
基金 国家社科项目"纪实影像与国家形象关系研究"(项目编号14BXW051)阶段性成果
关键词 单点民族志 公共空间 集体记忆 《纪录片编辑室·72小时》 single - sited ethnography public space collective memory Documentary Editing Room72 Hours

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