摘要
在当代油画的发展过程中,中国画家们开始注重民族气质、情调与意境,重新认识与了解中国传统文化的内涵和精神,将中国传统写意与西洋油画技法相结合,逐渐摸索出具有中国独特艺术形式和特点的写意油画。但写意油画在中国发展出现了许多问题:经济的快速发展,很多画家在利益的诱惑下不能把精力全身心的投入到创作中,流于形式、粗制滥造的现象非常严重;画面一味地抄袭和模仿他人,没有自己的艺术个性;画面里缺乏民族精神的探索和人文情怀的表达。
In the development of contemporary oil painting, Chinese painters began to pay attention to national temperament, sentiment and mood,to re-understand and learn about the connotation and spirit of traditional Chinese culture,to combine Chinese traditional freehand brushwork with techniques of Western oil painting, and gradually explore the possibility of having Chinese Freehand oil paintings with unique art forms and characteristics. However, there have been many problems in the development of freehand oil painting in China with the rapid economic development,many artists cannot devote their energy to the creation under the seduce of interests,and the phenomenon of being in the form of rigorous production is very serious; the pictures are copied and imitated blindly; they don’t have their own artistic personality; there is a lack of exploration of national spirit and expression of humanistic feelings.
作者
杨晓文
YANG Xiao-wen(School of Fine Arts,Shanxi Datong University,Datong Shanxi,03700)
出处
《山西大同大学学报(社会科学版)》
2018年第4期110-112,共3页
Journal of Shanxi Datong University(Social Science Edition)
关键词
写意
传统文化
人文精神
freehand brushwork
traditional culture
humanistic spirit