摘要
清代文人李汝珍所作《镜花缘》塑造了上百位才女形象,而集牡丹仙子、女儿国世子、天朝文艳王等多重身份于一身的阴若花具有双性化性格特征:既有足智多谋、冷静理性、信念坚定、勇气十足、博学多才、追求自身价值社会化的男性性格特质,也有温柔善良、恪守礼节的女性性格特质。阴若花的双性化性格实质为李汝珍文化观与女性观的矛盾性:不仅反对传统文化而高举女性主义,而且承认传统文化而限制女性权利。阴若花双性化性格形成的原因在于:明清社会思想文化的"女权意识"新声与儒家传统文化的共同作用为根本原因,李汝珍对自身性别角色确定的矛盾性为直接原因。
The Qing Dynasty scholar Li Ruzhen made Jinghuayuan created hundreds of female figures, and the set of Peony Fairy, daughter of the country, China Wen Yan Wang Shizi identity in a negative if the flowers with androgynous personality: both resourceful, calm and rational, fire1 faith, courage, the pursuit of their own ten foot, be a brilliant man of wide learning the value of the socialization of male personality traits are gentle and kind, with the female personality traits of etiquette. The essence of androgyny is the contradic- tion between Li Ruzheng cultural view and womeng view: not only opposing traditional cuhure and holding high feminism, but also recognizing traditional culture and restricting women's rights. Because if the Yin flower androgyny personality formation of the Ming and Qing Dynasties: the social ideology and culture of "feminist consciousness" and the new Conffucian traditional culture interaction as the fundamental reason, the con- tradiction of their gender role Li Ruzhen identified as the direct cause.
作者
王倩
WANG qian(School of Literature,Southwest University,Chongqing 400715,China)
出处
《海南广播电视大学学报》
2018年第2期13-18,共6页
Journal of Hainan Radio & TV University