摘要
刘再复是新时期中国文艺美学发展的重要历史坐标。他将从1928年"无产阶级革命文学"论争之后直至"文革"一直中断的"人的文学"口号重新提出,结合中国现当代历史上的惨痛教训,对文学的人性深度和情感特性作了深入挖掘,标志着对五四"人的文学"及其审美自律的回归与提升。刘再复新时期的文艺美学主张主要集中在:一、关于人与文学关系的思考;二、强调人的主体性,反对"物本主义"与"神本主义";三、强调人物性格的二重性、完整性,反对人物单一的阶级性;四、关于文艺的审美特性——情感特性的剖析。总结和重温刘再复新时期的文艺美学主张,具有重要的现实启示意义。
Liu Zaifu's aesthetic thought is an important historical coordinate of the development of Chinese aesthetics of literature and art in the new era.He reintroduced theslogan of"Human Literature"which had been interrupted from the Debate of Chinese Proletariat Revolution Literature in 1928 to the Cultural Revolution.He combined the painful lessons of China's modern and contemporary history and made in-depth excavation of the depth of human nature and emotional characteristics of literature, which marked the return and promotion of May Fourth "human literature"and its aesthetic law. Liu Zaifu's literary aesthetics is mainly reflected in the following four points:1. reflections on the relationship between man and literature; 2.emphasis on the subjectivity of people, opposing materialism and godism;3. emphasizing the duality and integrity of characters and opposing the single-class of any character;4. on the aesthetic characteristics of literature and art-an analysis of emotional characteristics. In the new era,it is of important practical implications and significance to summarize and review Liu Zaifu's literary aesthetics.
作者
祁志祥
QI Zhixiang(Institute of Applied Social Sciences,Shanghai University of Political Science,Shanghai 201701,China)
出处
《辽宁大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第4期110-119,共10页
Journal of Liaoning University(Philosophy and Social Sciences Edition)
基金
笔者主持的2016年国家社科基金后期资助项目<中国现当代美学史>(16FZW052)
2016年上海市哲学社会科学规划课题<20世纪以来中国美学的学科转型与演进历程>(2016BWY012)
2016年上海市"高校服务国家重大战略出版工程"项目<中国美学全史>五卷本部分成果
关键词
刘再复
二重人性
主体性
情感性
Liu Zaifu
dual humanity
subjectivity
emotional characteristics