先锋派文学作品封面图像的“语图互文”现象

On the Phenomenon of“Language-Figure Intertextuality”of the Cover Images of Avant-Garde Literature

"先锋文学"自20世纪80年代中后期诞生以来,"先锋"二字对于批评界而言都是一个充满诱惑的词汇。在先锋派文学中,我们感受到了顺应时代而急遽变化的现代思维,它复杂而多元、破碎而又充满迷魅。但长期以来,关于先锋文学作品的封面图像研究,还缺乏探索。而封面作为一种图像,不仅仅是艺术设计的视觉语言,更参与着作品意义的生成,构画着读者阅读与阐释的灵感牵引与格局。文章主要从"语图互文"的角度来进行先锋派文学作品的封面图像研究。

Since Avant-Garde Literature came into being in the late 1980 s, ＂Avant-Garde＂has become a seductive word among literary critics.In the world of Avant-Garde Literature, we feel the rapid changes of modern thinking in response to the times, which is complicated and multivariate, disjointed and enchanting.But for a long time,the research on the cover images of Avant-Garde Literature has not been explored. Cover,as a kind of image, is not only the visual language of art design, but also makes the work more meaningful.And it provides readers with the inspiration and patterns for reading and interpretation. Thisessay tries to explore the cover images of Avant-Garde Literaturefrom the perspective of＂language-figure intertextuality＂.