康熙五彩瓷“耕织图”与版画“耕织图”渊源考

The Research of “Pictures of Farming and Weaving” between Kangxi Wucai Porcelain and Wood-cutting Print

源于南宋的＂耕织图＂在清康熙时期重新得到重视,常以图像和诗文的形式呈现,体现了＂家庭教化＂和＂社会教化＂的两个方面。因此康熙五彩瓷上的＂耕织图＂尤为精美突出。纵观现存的康熙五彩瓷＂耕织图＂,不难发现它们与版画刻本＂耕织图＂之间有着千丝万缕的渊源联系,重点探讨康熙五彩瓷＂耕织图＂如何通过平面的转移—从二维到三维的重要途径,成功实现对版画＂耕织图＂的借鉴和改良,这种对成熟的版画图像的借鉴和转变是康熙五彩瓷取得举世瞩目艺术成就的重要因素。

In the Kangxi period of the Qing Dynasty, the ＂Pictures of Farming and Weaving＂, which originated from the Southern Song Dynasty, received renewed attention. It often presents in the form of images and poems, which embodies the two aspects of ＂Family Cultivation＂ and ＂Social Cultivation＂. At this time, the ＂Pictures of Farming and Weaving＂ on Kangxi Wucai porcelain is particularly exquisite and prominent. Throughout the existing Kangxi Wucai porcelain ＂Farming and Weaving Pictures＂, it is not difficult to find that they are inextricably related to the wood-cutting print ＂Pictures of Farming and Weaving＂. This paper mainly discusses how to use and improve the ＂Pictures of Farming and Weaving＂ on Kangxi Wucai porcelain through the transfer of plane from two to three dimensions. This kind of reference and transformation from mature Wood-cutting print image is an important factor of Kangxi Wucai porcelain to obtain the artistic achievement that attracts the attention of the world.