杰克·波蒂跨文化作曲的结构手法探析——以混合媒介室内乐作品《内地》为例

Jack Body and His Cross-cultural Composition:The Way of Structure ExploredExemplified by his Mixed-Media Chamber Music Interior

音乐创作中的"跨文化"现象在新西兰作曲家杰克·波蒂的作品中比比皆是,他的许多跨界作品立足于世界各地的民间音乐素材本身,以不改变素材原始面貌为前提进行再创作,既原汁原味地保留了原生态音乐素材朴素的音乐风貌,又在作品创作的过程中形成了个性化的结构特点。混合媒介室内乐作品《内地》(Interior)便是基于这种方式而作。本文力求通过对该作品结构手法的分析,从而揭示作曲家在运用中国民间音乐素材进行"跨文化"创作的过程中,对作品结构的独特处理方式,进而挖掘展现作曲家的音乐思想和创作观念。

The cross cultural phenomenon in music composition can be found here and there in New Zealand composer Jack Body＇s works. Many of his crossover pieces are based on world folk materials. He never changes, but reserves these materials＇ original appearances in their simple proto styles, while creating his own individualized structures in the process of writing. A striking example is his mixed media chamber music Interior. The essay intends with an analysis of the work＇s structure to reveal how he applies Chi nese folk materials to his cross cultural composition, especially reflected in his peculiar structure,and further delves into his music thinking and concepts for creation.