摘要
19世纪末20世纪初,伴随着中国"现代性"的发生、发展,最受大众欢迎的中国民族民间舞,不仅改变了自娱性质以国家立场的话语表达参与中国的革命战争;而且以坚韧的民族性在中华人民共和国成立后参与到建设现代化国家的文化潮流中;在新的历史时期,它更是呈现一种多元开放的当代表达,为构建中国的"文化自信"贡献力量。从"边疆舞"到"中国民族民间舞",中国现当代以来的中国民族民间舞以强烈的历史感和使命感,成为我国现代民族国家革命和建设的工具之一,其当代表达是中国民族民间舞横向吸收姊妹舞种之后的一个多元表现,是当前政治文化背景下艺术价值观的表达。
During the period of late 19th century and early 20th century, along with the initiation and development of Chinese modernity, Chinese ethnic and folk dance, as the most popular dance, not only changed the recreational nature in order to take part in China's revolutionary war as a discourse expression of the national standpoint, but also joined the cultural trend of constructing modem country with its tough nationality, after the founding of the People's Republic of China. In a new historical age, Chinese ethnic and folk dance expresses itself in a diverse and open way, contributing to China's " cultural confidence". From "frontier dance" to "Chinese ethnic and folk dance", Chinese ethnic and folk dance in the modem and contemporary times became one of the instruments for revolution and construction of Chinese modem nation - state with its strong sense of history and sense of mission. Its contemporary expression is a diverse expression after it absorbed neighboring types of dance horizontally, as well as an expression of artistic value in the current political and cultural background.
作者
姬宁
Ji Ning(Professor at Zhengzhou Normal University, PhD candidate at Henan University, Zhengzhou, Henan, 450000)
出处
《民族艺术研究》
2018年第4期25-29,共5页
Ethnic Art Studies
关键词
现代性
中国现代性
中国民族民间舞
当代表达
modernity
Chinese modernity
Chinese ethnic and folk dance
contemporary expression