摘要
古籍整理研究通常包括校勘、标点和注释三项工作,也可以说是古籍整理研究的"三关",美术古籍整理研究自然也不例外。然而20世纪以来,相较于文史古籍整理研究的高水平成果,美术古籍的整理研究,在校勘、标点和注释三方面,都存在明显的差距,问题严重的应视为未过"关"产品。美术古籍整理研究者应重视"三关"标准,提高整理研究的水平。
A study of ancient texts includes three works, namely collation, punctuation and annotation. Therefore, they are regarded as "thine thresholds" of the study of ancient texts. Thus, the study on ancient fine arts texts is not an exception. Since the 20^th century, compared with studies on ancient historical and literary texts, obvious gaps are found in collation, punctuation and annotation of ancient fine arts texts. Those works with serious problems should be regarded as "unqualified" products. Researchers of ancient fine arts texts should therefore pay attention to these "thre-e thresholds" so as to improve the academic level.
作者
倪志云
Ni Zhiyun(Professor at the Department of Fine Arts, Sichuan Fine Arts Institute, Chongqing, 400031)
出处
《民族艺术研究》
2018年第4期39-49,共11页
Ethnic Art Studies
关键词
美术古籍
整理研究
校勘
标点
注释
contemporary ancient fine arts texts
collection and study
collation
punctuation
annotation