摘要
球土化"背景下电视文化的构成复杂多元,既有来自西方文化的侵入,也包括大众文化娱乐泛化的影响,还有对传统文化重拾的强烈心声。我国的电视节目制作者们应主动选择自觉向中国传统文化靠拢,在博大精深的文化长河中寻找电视文化身份的核心内涵,开掘出区别于他者的中国情味,以此来对抗后现代文化对理性的消解和娱乐泛化的危机。
The composition of TV culture in the background of glocalization is complicated and diverse. This composition can be seen from the intrusion of Western culture, influence of ubiquitous entertainment in popular culture, and the strong repercussion of the retrieve of traditional culture. Chinese TV program producers should voluntarily choose to get closer to Chinese traditional culture, to find the core connotation of TV cultural identity in the profound cultural history, and to explore the Chinese feelings that are different from others, so as to address the crisis that post -modern culture dissolves rationality and that entertainment is ubiq- uitous.
作者
刘婷
Liu Ting(Associate Professor at the College of Communication Sciences, and Research Center on Northeast Asian Film Culture, Northeast Nolanal University, Changchun, Jilin, 130024)
出处
《民族艺术研究》
2018年第4期109-114,共6页
Ethnic Art Studies
基金
东北师范大学青年团队项目"东亚主流舆论与国际关系的互动影响研究"的阶段性成果
关键词
球土化
中国电视节目
文化身份
中国情味
中国传统
glocalization
Chinese TV program
cultural identity
Chinese feelings
Chinese tradition