摘要
作为一个致力于小说革新的实验者,弗吉尼亚·伍尔夫一生都在在竭力进行着扩充小说边界的努力。从《达洛卫夫人》中的视觉化呈现来看,小说借用电影中的蒙太奇手法,达到一种印象式的视像切换效果;同时在这转换之间,又显示出一种叙述者与读者之间"戏剧化"的潜在对话。电影、绘画及戏剧中的视觉叙述力量等小说的"非文体化"因素带来的张力,不仅扩充了小说的文体空间维度,亦可为解读伍尔夫意识流小说技巧提供另一种审美思考方式。
As an experimenter of fiction innovation,Virginia Woolf has been trying to expend the fiction's boundary.On the effect of visual narration in Mrs.Dalloway,we find it reaches an impressionism video switching effect by borrowing the montage techniques from the movie,which meanwhile shows a potential "dramatic" dialogue between the narrator and the reader.Thus,the tension caused by the "non-stylistic" factors such as the power of visual narration in films,paintings and dramas not only expands the space dimension of the novel,but also provides another aesthetic thinking way for the interpretation of Woolf's stream of consciousness novels.
作者
张荆芳
ZHANG Jingfang(College of Liberal Arts,Southwest University,Chongqing 400715,China.)
出处
《顺德职业技术学院学报》
2018年第3期70-76,共7页
Journal of Shunde Polytechnic