清代诗话视域下的《诗经》之“情”

The Affection in The Book of Songs in the Context of Qing Dynasty Poetry

受＂诗道性情＂观的影响,清代不少诗话家对《诗经》中的情感进行了论说,并在前人基础上有诸多创获。清代诗话在对《诗经》情感内涵多样发掘的基础上,更注重对一己之情的阐说;在认可《诗经》情感多样化审美特征的同时,用＂真＂与＂正＂对之进行制约;在多方总结《诗经》情感表达方式时,为情景关系论注入了新的活力。清代诗话对《诗经》之情的多样发掘推动了《诗经》阐释的进一步转向,促进了《诗经》文学解读的深度发展。

Influenced by the idea of＂poetry expressing personality＂,many specialists in poetry in Qing Dynasty had discussed the emotional elements in the Book of Songs,which had made a great deal of achievements based on the previous researches.On the foundation of discovering various emotional connotations of the Book of Songs,the Qing Dynasty poetry paid more attention to the explanation on personal relationship;while recognizing the aesthetic characteristics of the emotional discovery of the Book of Songs,Qing Dynasty poetry made the restriction to the Book of Songs with the concept of being＂real＂and＂straight＂;with comprehensively summarizing the ways of expressing emotions in the Book of Songs,Qing Dynasty poetry had made an inject of new motive into＂The Scene Theory＂;The various discovery of the emotional elements in the Book of Songs had further promoted the explaining turn and the deep development of literary interpretation to the Book of Songs.