当代民谣话语——现代犬儒主义文本

Modern Text with a Cynic Feature:Critical Discourse Analysis on Chinese Contemporary Folk Music

中国当代民谣保留了中国话语历史中独特的民众话语本色,在当代民谣文本中,有诸多讥讽当前社会生活尤其是政治和道德生活的民谣。本文聚焦当代民谣文本的高频热词,分析了民谣的话语诉求及其犬儒主义特征。怀疑主义是其基本的话语诉求,对于讥讽对象所表现出来的冷嘲热讽,使得当代民谣话语成为一种典型的现代犬儒主义文本。当代民谣话语不署名的生产及消费过程、戏谑的认同方式以及建构与解构之间的反差,都反映出当代民谣的犬儒主义特征。同时,后现代主义与犬儒主义在社会意识形态的解构上也表现出相当的一致性。

Chinese contemporary folk music has kept a peculiar nature of popular discourse in Chinese discourse history,in the text of which there are many sarcastic expressions about current social life especially political and moral life.This article focuses on the hot words with high frequency within contemporary folk music text,analyzing the discourse appeal of folk music and its cynic feature.Skepticism is the basic discourse appeal and the sarcastic criticizing makes it be a typical modern text with a cynic feature.The anonymous production and consumption,the playful identity pattern and the contrast between construction and deconstruction,have reflected the cynic feature of contemporary folk music.Meanwhile,postmodernism is consistent with cynicism in terms of the deconstruction on social ideology.