爱情叙事的“伪像”与性别悲剧——《伤逝》《茶花女》对照解读

"Pseudomorphism" in Love Narration and Gender Tragedies——Contrastive Interpretation of Death Mourning and Latraviata

《伤逝》和《茶花女》都是利用男主人公的第一人称回顾性视角完成了爱情叙事,构建起男性崇高的形象。而从叙事学角度切入,进一步对照解读这两个文本,男主人公的爱情崇高形象在叙述者叙事与读者接受的反差中遭到解构,所谓的凄美爱情故事其实是在女性失语状态下被构建起来的。《伤逝》与《茶花女》分别是中西方爱情题材方面的经典之作,但由于时代和社会环境不同,男性作家对女性的认识和看法不同,产生了不同的文本意义。

Texts in Latraviataand Death Mourningare both using the first person retrospective perspective of the hero to convey a love story,building up a lofty image of the hero.From the perspective of narratology,when further interpreting these two texts,the heroes′sublime images are deconstructed in the contrast between narrator′s narration and reader′s acceptance.The so-called tragic love story is actually constructed under the condition of female aphasia.Death Mourningand Latraviataare Chinese and western classic works with love themes respectively,but due to diverse times and social environments,male writers′different understanding and views of females,different value levels and text meanings are generated.