摘要
玉雕作品中的女性形象源自中国画中的仕女图,其创作理念和形态特征皆与其类同。独山玉出产自中原腹地,独山玉雕作品中的女性形象承载着中原地区的历史文化,是经过历史选择后形成的一种特定人物形象。独山玉雕仕女作品生动地展现了古代女性的生活状态和社会地位,隐含着男权社会以及传统文化对女性的身体乃至精神的种种禁锢和束缚。现代玉雕的发展打破了传统人物形象的桎梏,赋予了女性形象崭新的时代意义。
The female images in jade carving works are originated from drawings of beautiful women in traditional Chinese paintings,both of them have the same creative idea and morphological characteristics. Dushan jade is produced from the hinterland of central plains,and the female images in jade carving works indicate the historical culture of central China,who are specific characters through historical choices. Dushan jade carving women works show the living state and social status of ancient women,which implicates the constraints of the patriarchal society and traditional culture on women's body and spirit. The development of modern jade carving breaks the limits of traditional character image and gives female images new significance of the time.
作者
李新珂
LI Xinke(Institute of Jewelry and Jade Carving,Nanyang Normal University,Nanyang 473061,China)
出处
《长春大学学报》
2018年第7期117-120,共4页
Journal of Changchun University
基金
河南省科技厅科学项目(172400410126)
关键词
独山玉
玉雕仕女
审美特征
角色认知
Dushan jade
jade carving women
aesthetic characteristics
role cognition