音乐人类学视角下民歌的人文情怀——以安徽“五河民歌”为例

Humanistic Feelings of Folk Songs from A Perspective of the Anthropology of Music: The Case of Wuhe Folk Songs in Anhui Province

音乐人类学近年来不仅作为一门学科在我国快速发展,同时也作为一种方法论在民族音乐研究中得到较为广泛的运用。从人文情怀的角度出发、以音乐人类学的核心理念为理论指导,阐释皖北民间音乐"五河民歌"的人文精神,理解乡土民俗文化生活;从文化相对主义音乐价值观的角度出发,对音乐人类学这一学科在中国民族音乐研究中的运用进行探讨,兼及"五河民歌"的日趋衰落和传承保护问题。

The Anthropology of music, widely employed as a methodology in the research of folk songs, has been regarded as a discipline and promoted at a fast speed in China. Starting from the perspective of humanistic feelings and under the guidance of the anthropology of music, the present thesis is to illustrate the humanistic feelings in Wuhe folk songs（a kind of folk songs originated in the North of Anhui Province）. The thesis is to complete such tasks as apprehending folk-custom culture, discussing the employment of the Anthropology of music in the research of Chinese folk music as well as the fading disappearance and protection of Wuhe folk songs.