苗湖书会的历史传承与现代演进

The Historical Inheritance and Modern Evolution of Miaohu Shuhui

继马街书会和胡集书会之后,地处安徽淮河流域的苗湖书会作为一种集体性质口头传唱的活态文化在2008年被列为国家非物质文化保护遗产,从而有效吸引了部分学者及各方的关注。但就目前的研究现状而言,大多是停留在普适性描述,深层次的学术成果并不多见。苗湖书会作为一种传统特色的口传式民间文化,以其活态流变性的特质,在百年传承中形成了独特的传承方式。对苗湖书会的关注有利于对民间文化多样性的保存,并加深区域文化的认同感。随着社会的发展与变迁,苗湖书会也经历了从农村与城市,从安徽与河南以及山东等地的跨区域、跨空间、跨文化的交流与融合,形成了如今曲艺繁多、日渐昌盛的局面。研究苗湖书会如何在跨越不同历史文化空间的转换中得以保存并走上繁荣,在文化软实力日益受关注的今天,无疑是很有意义的。

Following the Majie Shuhui and Huji Shuhui, Miaohu Shuhui, as a collective oral singing culture, was listed as a national intangible cultural protection heritage in 2008. In recent years, it has attracted the attention of some scholars and various parties. However, most of them are universal descriptions of staying, but deep academic achievements are rare. As a traditional feature of oral folk culture, Miaohu Shuhui also formed its unique inheritance method in the 100-year inheritance due to its characteristic of dynamic rheology. Our attention to Miaohu Shuhui has contributed to the preservation of the cultural diversity of the people and to the deepening of the cultural identity of the region. With the development and changes of society, Miaohu Shuhui has also experienced cross-regional, cross-spatial, and cross-cultural exchanges and integration from rural and urban areas, from Anhui and Henan, and Shandong, forming a situation where there are many and increasingly prosperous folk arts. Therefore, it is undoubtedly meaningful to study how Miaohu Shuhui can be preserved and how it prospers in the transformation of different historical and cultural spaces.