再现式想象:台湾新世代本土诗人旅游经验中的现实中国形象

Reconstructive Imagination: Image of Realistic China in Travel Experiences of Taiwan Local Poets in A New Era

孟樊、方群等台湾新世代本土诗人笔下旅游经验中的中国大陆景观是他们对中国大陆的一种再现式想象,是以他们的中国历史文化知识经验为前提,通过他们的"选择性聚焦"凸显出来的现实中国大陆的镜像。在很大的程度上,前理解和期待视野决定了台湾新世代本土诗人凝视与观看中国大陆景观的取舍标准。而这种取舍事实上也是他们在对自我身份进行定位、对中国大陆景观进行观察和区分的一种实践。在中国大陆的自然、历史人文景观中,他们找到了自己,找到了一种回家的感觉,使自己独特的本质力量得到了独特的对象化方式的肯定。而在中国大陆的现代化生活空间中,他们不仅找不到回家的感觉,而且感受到一种毁掉自己关于家园记忆的深深的恐惧,感受到主体与空间的隔膜。由此,在台湾新世代本土诗人对中国大陆景观的书写中,中国大陆既有着"如家"般的"优美",也有着"非家"般的生态秩序的失衡。而无论是"如家"般的"优美",还是"非家"般的生态秩序的失衡,都在一定程度上体现了中国大陆景观不同侧面的真实。

Landscape of China mainland in travel experiences of Taiwan local poets like Meng Fan and Fang Qun in a new era is their reconstructive imagination of China mainland. The mirror image of China mainland is based on their Chinese historical culture knowledge and their ＂selective focusing＂. To a great extent,pre-understanding and horizon of expectation determine the selection standard of Taiwan local poets in a new era to observe landscape of China mainland. The selection is actually the positioning of their self-identity and the practice of their observation and differentiation of landscape of China mainland. In natural,historical and humanistic landscape of China mainland they find themselves,and also find a feeling of being at home. In the realistic space of life in China mainland,they could not find a feeling of being at home,but are seized by the fear that their memory of homeland is being destroyed. and they also feel isolation of subject and space. Therefore,in landscape writing of Taiwan local poets in a new era,China mainland is sometimes as beautiful as their homeland,and sometimes is unbalanced in the ecological order. The realistic image of landscape of China mainland in different aspects are represented in travel experiences of Taiwan local poets.