摘要
可莉菲拉斯在桑德拉·希斯内罗斯的短篇小说《喊女溪》中,是以父权社会中典型的女性形象出现的。最初可莉菲拉斯在父权政治操控下迷失在对爱情的浪漫幻想中,婚后可莉菲拉斯开始把自己和劳安的命运——女性的历史联系起来,逐渐自我觉醒,当第二个孩子即将降生时,可莉菲拉斯决意改变自己和孩子的命运——改写女性的历史,并通过另外两位女性主义者的帮助,完成了自我意识的蜕变。通过可莉菲拉斯这一女性形象和对传统女性原型的现代诠释,希斯内罗斯为女性未来的境遇开辟了新的疆域。
In the story entitled Woman Hollering Creek by Sandra Cisneros,Cleofilas grew up in the context of popular romantic TV programs and novels that were controlled by patriarchic politics,the mass media that contributed to the shaping of woman images. In her early years,Cleofilas was lost in the romantic fantasy about love. However,after her marriage,suffering from abuse and betrayal of her husband,Cleofilas began to awaken by associating her fate with that of La Llorona,or rather with the fate of women history. It was when she had the second baby,She was determined to hold her and her baby's fate with the help by another two feminists. This last step symbolizes her metamorphosis in consciousness. By Cleofilas' characterization,a modern interpretation of traditional woman archetype,Sandro Cisneros pioneers to new realm of possibility for women.
作者
原学梅
YUAN Xue-mei(School of Foreign Languages,Luoyang Normal University,Luoyang 471934,China)
出处
《洛阳师范学院学报》
2018年第6期54-57,62,共5页
Journal of Luoyang Normal University
关键词
自我
女性原型
《喊女溪》
self
mass media
woman archetype
Woman Hollering Creek