从《音乐小杂志》谈李叔同的装帧美学思想

On Aesthetic Ideas of Binding in Li Shutong's Music Magazine

从晚清至民国初年,因中国的印刷术的发展和中西方文化的碰撞,装帧艺术伴随着中国近代期刊的诞生应运而生。李叔同所设计装帧的中国第一本音乐期刊——《音乐小杂志》是当时装帧艺术领域中一颗明珠,他以中西方美术融合的视角和美育思想的表达为《音乐小杂志》的装帧艺术注入新的理念,成为引领中国装帧艺术的标志性人物。从文字、图案、版式、色彩等装帧艺术的基本元素出发,可阐释李叔同学习西方艺术之后所表现出来的美学思想。

Due to the development of Chinese printing and the collision of Chinese and Western cultures from late Qing Dynasty to the early Republic of China,binding art made its appearance with the birth of modern Chinese periodicals. The first music periodical＂Music Magazine＂designed and bound by Li Shutong was a bright pearl in the field of binding art at that time. He introduced new ideas into the binding of＂Music Magazine＂from the perspective of the integration of Chinese and Western art and the expression of aesthetic education,and consequently became a symbolic figure in leading the Chinese binding art. This paper aims to expound the aesthetic ideas that Li Shutong demonstrated after learning from western art in terms of the basic elements of binding art,such as texts,patterns,formats and colors.