摘要
活跃在伪满文坛上的牛岛春子于1938年和1942年写出了小说《雪空》《女人》和《福寿草》。以日本人为主人公的这三篇作品与作者有着一层相对特殊的关系。从身为转向者的《雪空》的主人公身上可以看到作者的影子。《福寿草》的题材与《雪空》一致,从两者的比较可以窥见作者内面的变化。与《福寿草》同年发表的《女人》作为一篇"写自己"的作品,其中的自我观照更是观察作者思想变化轨迹的绝佳材料。通过这三篇互为关联的小说的解读,追寻作者作为一个转向作家在伪满的心路历程。
Haruko Ushijima,who was an active in the literary scene of "Manchuria",wrote the novel Yukizora in1938; as well as Onna and Fukusjuso in 1942. The three novels using Japanese characters as the protagonists all had a unique connection with the author. In some ways,the protagonist of Yukizora was the convertor that used to see the project of the author himself. The theme of Fukujuso and Yukizora overlap so the audience may embrace the inner changes of the author through comparison for both. Onna,announced in the same year as Fukujuso,was a perfect material to follow the trajectory changes of the author's idea as a work "self-reflecting"writing. This study considers subjects related to each other in the three novels,and analyze the heart journey in "Manchuria"of the author through textual analysis.
作者
单援朝
Shah Yuanehao(College of General Education,Sojo University,kumamoto Japan 860-008)
出处
《沈阳师范大学学报(社会科学版)》
2018年第4期11-19,共9页
Journal of Shenyang Normal University(Social Science Edition)