关系视域下的空间认同——评贾平凹的《极花》

Spatial Identity under the Relationship Vision:the Evaluation of Polar Flower Written by Jia Pingwa

《极花》书写了乡村女性资源匮乏语境下的妇女拐卖问题,作品以内聚焦的视角立体式展现了城乡空间的关系结构,揭示出被拐卖女性蝴蝶在差异性空间形态下的主体抉择。城市空间的支配性经济秩序规约了蝴蝶的角色认同和形象表征,社会关系中他者的赞许与关爱诱发了蝴蝶对自我城市身份的想像。在乡村空间,亲子关系赋予蝴蝶安全感和归属感,她自发地融入到圪梁村的结构秩序中,在万物同一的认知范畴内寻觅到自我的归属空间。被解救回城市的蝴蝶因日常社交网络的断裂选择回到乡村世界。《极花》对城乡世界的关系网络进行了客观化诠释和情感性体认,有效建构了维系主体身份认同的意义来源。

Jia Pingwa in the book Polar Flower wrote about the problem of women＇s trafficking in the context of lack of female resources in rural areas, the work showed the relationship structure between urban and rural areas with inner focusing angle,revealing the subject choice of female Hudie who was abducted in the form of difference space. The dominant economic order of urban space restricted Hudie＇s role identification and image representation,the praise and care of others in social relations evoked Hidie＇s imagination of self-urban identity. In country space,the parent-child relationship gave Hudie security and belonging,She incorporated into the structural order of the girliang village spontaneously, searching for the place of self in the same cognitive category of all things. After being rescued to urban,Hudie returned to the rural world because of the broken of the social network.Polar Flower constructed the sources of meaning maintaining the identity of the subject effectively, recognizing the network of relations between the urban and rural world emotionally.