论孟浩然诗歌中女性书写的净化性

Purifying of Women's Writing in Meng Haoran's Poems

孟浩然诗歌中涉及女性书写的作品虽然数量不多,但其对女性的书写却跳出初唐宫体诗中女性绮错婉媚的藩篱,具有净化意义。孟诗中女性书写的净化方式表现在诗人淡化声色而注重内蕴、驰骋想象而虚处传神、不事雕琢且爽朗明快。孟浩然在对女性形象进行塑造时,具有借女性书写表达下层失意文人另类主体意志、借山水清音中的女性书写实现移情、借细腻情感深入观察各阶层女子内心世界的特点。孟浩然对女性书写的净化具有范式意义,诗人从单纯女性审美上升到社会人性关怀,温柔敦厚的创作宗旨标志着"诗言志"诗歌传统的复归。

Although Meng Haoran＇s poems involving women＇s writings are few in number,their writing to women has jumped out of the barriers of feminine femininity in the poems of the early Tang Dynasty and has a purification significance. The purification methods of women＇s writing in Meng Haoran＇s poems are reflected in the poet＇s softening of color and attention to intrinsicness,galloping imagination and vividness in the imaginary place,and not being sculpted and cheerful and creative. When Meng Haoran was shaping the female image,he had the ability to use his writing to express the alternative subjective will of the lower-level poetic literary scholars,to realize empathy through the writing of women in the landscape,and to observe the characteristics of women＇s inner world in all levels through detailed emotions. Meng Haoran＇s purification of women＇s writing has a paradigmatic meaning. The poet rose from simple women ＇s aesthetics to social humanity ＇s concern. The purpose of emphasis on etiquette marks the return of the traditional poetry.