《文心雕龙·神思》篇之再思考

Rethinking about the Article of Wenxindiaolong Shensi

刘勰《文心雕龙·神思》篇探讨了何为"神思",并围绕"神思"二字对"神"和"思"进行分阶段论述。全篇以"神"为核心,以"物"为载体,以"游"为终极目标,以"思"为贯穿,经过"神居胸臆"的酝酿期,"神思方运"的准备期,达到"神与物游"的最佳状态,实现心与物、情与景的相融,达到主体内省的第二自然对客体之第一自然的超越,在突出"神思"艺术美的同时,实现创作主体之"神"与客观世界之"物"的相融相通,彰显其文学性。

Liu Xie＇s Wenxindiaolong Shensi discusses what is Shensi,and what Shensi is separated by two words of Spirit and thinking which are discussed in stages. Spirit is regarded as the core,artistic conception is regarded as the carrier,and wonder is regarded as the ultimate goal of the constitution in this article.Besides this,thinking continues working throughout the gestation period. When the original spirit comes in his mind and is carried out in the preparation period,the best spirit and travelling will come true,and the writer will achieve the harmony of mind and matter,emotion and scene,and realize the introspection of the main object of second nature＇s transcendence over the first natural. Meanwhile,this article aims to highlighting the beauty of art of Shensi,to know the harmonious communication of the main realization of spirit and the external world of object,and to manifest the beauty of the literary thought.