苏轼《前后赤壁赋》中的“物化”形象解读

An Interpretation of "Materialization" Image in Su Shi's "The First and Second Trip to the Red Cliff"

苏轼笔下的诗词文有着极为深厚的文化传统,其中的"物化"传统直接承袭"庄周梦蝶"之典故,形成了丰富多彩的物象。在经过"身与竹化"理论的发展后,这些物化形象本身的内涵得到了深化与开阔。物化形象中体现的尤为明显就是儒释道相互缠绕的思想渊源。在《前后赤壁赋》两篇文赋中,苏轼的精神物象——水与月、山与鹤所隐含的或萧散旷达的禅悦倾向、或高蹈于道的精神超越,都是苏轼复杂深沉的人生观与哲学观所结成的文化景象。

Su Shi＇s poems and essays have a profound cultural tradition. The ＂materialized＂ tradition directly inherited an allusion of ＂Zhuangzhou Dreamt Butterfly＂ and formed a variety of objects. After the development of the ＂body and bambooization＂ theory, the connotations of these materialized images have been deepened and broadened. The embodiment of Confucianism, Buddhism, and Taoism is particularly evident in the materialized image. In Su Shi＇s Red Cliff, water and the moon, mountains and cranes are spiritual images of him, they all imply the unrestrained tendency of bliss of Dhyana or the spirit transcendence to Taoist. They are the cultural scene formed by the complex and profound outlook on life and philosophy of Su Shi.