阿Q的后裔——中国流氓无产者的审美嬗变

The Descendants of Ah Q——The Aesthetic Evolution of Chinese Rogue Proletarian

在对现代革命的认识过程中流氓无产者被逐渐发现,他们在革命中的角色与特征引起人们的关注与警惕。鲁迅笔下的阿Q是流氓无产者在中国文学的第一次出场,他表现出来的劣根性及其对革命的潜在伤害已然引起人们的注意,作为一个特殊群体的典型代表,阿Q身上呈现出启蒙者对于现代革命、现代中国以及中国现代性问题的早期思考。阿Q之后在革命叙事与后革命叙事话语中先后塑造出一批流氓无产者形象,这群阿Q的后裔们将阿Q的革命幻想付诸现实。但是在不同的话语语境中他们之于革命的功能性、群体特征以及审美形象都在不断变化,变化背后隐藏的历史认知、价值判断、意识形态、审美标准等问题需要我们进行理性分析。尤其是这一群体在当下中国现代化进程中的角色身份,更需要我们做出深入而又全面的思考。

In the process of understanding the modern revolution, rogue proletarians are gradually discovered that their roles and characteristics in the revolution have aroused people＇s attention and vigilance. Lu Xun＇s Ah Q is the first appearance of the rogue proletarian in Chinese literature, and his apparent weakness and its potential harm to the revolution have attracted attention. As a typical representative of a special group, Ah Q＇s body presents an enlightened person Some Thoughts on the Modern Revolution, Modern China and China ＇s Modernity. Ah Q after the revolutionary narrative and post-revolutionary narrative discourse has created a group of rogue proletarian image, the group of descendants of Ah Q will Ah Q＇s revolutionary fantasy into reality. However, in the different discourse context,their problems such as revolutionary function, group characteristics and aesthetic image are changing and the historical consciousness, value judgment, ideology and aesthetic standards hidden behind the change require us to analyze rationally. Especially the role of this group in the current process of modernization in China, we need to make in-depth and comprehensive thinking.